I feel creatively lost again – doing the Pecha Kucha presentation I thought would make things become clear, but in some ways I think I just ended up getting more and more confused and less and less convincing!
I found this quotation from Ansel Adams – I think this sums up what I want to achieve with the final major project.
“YOU DON’T MAKE A PHOTOGRAPH JUST WITH A CAMERA. YOU BRING TO THE ACT OF PHOTOGRAPHY ALL THE PICTURES YOU HAVE SEEN, THE BOOKS YOU HAVE READ, THE MUSIC YOU HAVE HEARD, THE PEOPLE YOU HAVE LOVED.” – ANSEL ADAMS
Due to my confusion over my project I reached out to my social media community to see if they could provide me with some clarity in someways it made it a little worse.
The consensus was to combine the two projects together. To combine favourite foods and watch them degrade with the fingerprint.
I took this input and did some brainstorming but I couldn’t seem to get them to connect. Perhaps it links through to memory in that, when we used to have family trips to the beach we used to take seaside sandwiches. Which by the time we ate our picnic would inevitably have some sand in them – so maybe this isn’t really about identity perhaps its actually about memory more. So I could gather together a memory – bring in the items that trigger the memory and overlay those images together.
Taking an copy of a old family image, sprinkle sand fragments from the beach over and include a degrading piece of sandwich.
This then creates almost a memory box for each photograph.
I feel quite torn in my work today. Having just got my results and my old project to a certain degree was successful. However I just don’t feel any love or joy and quite simply I don’t know who my audience is and this is reflected in some of the feedback I have received also.
The new work I have been completing I have a real passion for. I would also have the perfect location for an exhibition. My feeling that the Newcastle City Library would be great for this if I can get it booked.
The ideas that I have swirling in my brain are unnerving as fear of failure is high. I desperately want to achieve a good grade for this course and I just need to find the perfect project. I also want to be able to connect on a personal level with this project.
The feature of my focus in my previous module (Surfaces and Strategies) was Life/Death/Rebirth, and whilst I really enjoyed this I am questioning whether it is something that I really want to continue.
Looking back over some past work I found my Sellotape image from the Informing Context module. This image features a fingerprint. This made me think about Identity.
I came across the book Northerners – Portrait of a no nonsense people by Sefton Samuels
What I noticed about this book was while there were a couple of images from the North East there is much more focus on the North West. Quite often we seem like a forgotten people not featuring a great deal in the government plans for improvement, the refusal to dual the A1 instead finding projects further south.
This made me think about a project I’ve been dwelling over for a while ” Northern Identity”
I don’t want to use portraits I want to use fingerprints over the top of North East images.
This is my image Sellotape which I link closely to identity.
I want to overlay this type of fingerprint over the North East. Over the break between modules I want the fingerprint to be subtle but a statement. I need to think about the titles of the images – should it be the name of the place or the name of the fingerprint.
Research Martin Parr and Chris Killip
Samuels, S., 2011. Northerners – Portrait of a no nonsense people. 1st ed. United Kingdom: Ebury Press.