There are several of Derges’ work that I have been able to connect with.
- Shoreline – 1997-98
- Waterfall – 1998
- Ice – 1996-97
- Atlantic Ocean – 1997
- River Taw – 1996-98
In the period 1996 – 1998 much of the work appears to be focused on water in some form or another. Whereas Horn and Sugimoto focus on the top of the water Derges work is under the water looking up.
I think this is appealing to my work as sometime you can feel like you are drowning, that you cannot survive, like you won’t ever make it to the surface, and i think it might look like this to an individual under the water.
Whilst I don’t think that this is the intention of the work, to present itself in this way, it is certainly the way that I can link this into my thinking of my project.
Particularly the work with the ice, it looks to me like the light at the end of the tunnel and quite often this is the the hope that will eventuallly lead you our to the light to draw you out of the depths and show you the way to find your way back.
This is one of the reasons that I hope to be able to capture a moonlight image so that on the surface I have a metaphorical light at the end of the tunnel image.